Brief Atlas of Work

 

The images in this publication were captured during a video call between two friends, on March 31, 2021. Marcelo in the city of Itatiaia, in the countryside of Minas Gerais, Brazil. Me, in Helsinki, Finland. We started with a script of questions and improvisation games. We were alone with our computers, at home, wearing our Sunday clothes. At a certain point, I asked Marcelo to propose images for the camera in response to a list of words. This was a provisional and arbitrary list made by me, under the theme “labor.” For his compositions, he could use only his own body, the space, and a few objects, only those at hand. All images were improvised under a strictly limited time. These gesture-scenes, or image-translations, are not intended to be definitive nor complete definitions of the words from my list. On the contrary, they are spontaneous insurrections within the circumstances of that encounter. Instant revelations of the conventions of meaning we embody, added to the inventions and subversions we came with together in that language game. In summary, I ask: what could be the differences between saying and showing?

 
 
 

Marcelo Castro is a performance artist and director. Since 2016 he has been researching contemporary Brazilian poetry and the various forms of conflict between poetry and performance. In theater, he has developed his work along with several Brazilian artists and theater companies. Among his works, he directed Éramos em Bando (a film-rehearsal with Grupo Galpão); Danação (solo by Eduardo Moreira); Quer Ver Escuta (with Grupo Galpão); he acts in the plays Três Tigres Tristes (Plataforma Planos Incríveis) and Prologo Canino-Operístico (solo from the poem by Carlito Azevedo). He was co-founder of the theater collective Grupo Espanca! of which he was a member for 13 years.

Self-published edition of 11 signed and numbered copies. Printed in risograph in black and medium blue, at Aalto's Printmaking Studio. 24 pages, format: 14 x 18cm.

In collaboration with Marcelo Castro

Workshop master: Pia Parjanen

Finland / Brazil, 2021.

Previous
Previous

Breves Bandeiras

Next
Next

A Foreign Tongue